Review
“Around 1989, a number of exhibition models similarly opened the montage of real and symbolic, of architectural and media sites toward a perspective on modern art and media culture with a view to a historical critique of power; examples include shows by the abovementioned artists, such as Fareed Armaly’s (re)Orient, on display at Galerie Lorenz, Paris, in 1989, which was received as a central contribution to the debate over postcolonialism....”