Fareed Armaly

Fareed Armaly
* 1957, USA


2015 - 2016
Contact (1992)
new installation in
'to expose, to show, to demonstrate, to inform, to offer'
Artistic Practices around 1990

MUMOK, Vienna

Project Space Architecture
Commission for new project space architecture (cinema, exhibition space)
that hosts the year long program Place.Labour.Capital.
NTU Centre for Contemporary Art, Singapore.

2013 - 2014
Museum Opening Project, Ramallah, PA
Multi-level commission including exhibition project.

"Crossroads and Contexts: Interviews on Archeology in Gaza"
section in Journal of Palestine Studies:
Vol. 37, Issue 146, n.2 (Winter 2007/2008), pp.43-81
Author: Fareed Armaly
download article as pdf including original images
project website: Shar(e)d Domains


Large-scale Projects / Commissions

Project Space Architecture Commission for new project space architecture (cinema, exhibition space) that hosts the year long program Place.Labour.Capital.
NTU Centre for Contemporary Art, Singapore.
2013 – 2014
Museum Opening Project, Ramallah, PA
Multi-level commission including exhibition project.
Shar(e)d Domains (project website)
commission for archeological exhibition: Gaza at the crossroad of civilizations
Musée d’Art et d’Histoire, Geneva, CH
| Artist | commissioned included individual exhibition project |
In production, documentary on Director Tawfik Saleh / “The Dupes”
orient(n)ations ArtPace, San Antonio, USA
| Artist | residency with final individual exhibition project |

Workshops: Concept / series of "scripting" processing workshops for “VILMA” Project,
commissioned by Nomeda and Gediminas Urbonas
Research Fellow, ZKM, Karlsruhe

From/To in Documenta 11, Kassel, D

| Artist | residency with final individual exhibition project |

Jack Goldstein retrospective, haus.0 institutional collaboration
Magasin- Centre National d'Art Contemporain, Grenoble
Curators: Yves Aupetitallot, Lionel Bovier.

Architectures of Discourse, 2001, Foundation Tapies, ES, Curator: Ute Meta Bauer
Large-scale Exhibition Development | Curatorial Advisory Role | Artist | Author | Exhibition and Publication Design |
haus.0, four year program as Artistic Director, Künstlerhaus Stuttgart, D
| International four-year program | working with artists, sociologists, media producers, composers, historians, filmmakers, theorists | many projects created by haus.0 or first showing in Germany or Stuttgart | Building renovation plan for three floors, establishing new exhibition space philosophy in link with establishing digital video / audio media studios | established updating online program website as journal and reader in German and English | brochure series | new exhibitions, historical and contemporary perspectives | linking to new media libraries, educational workshops and institutional collaborations |
Placement , Edition commission from Sammlung TwoDo, Neuer Aachener Kunstverein, Aachen, D
| Artist Fareed Armaly | Commissioned script, Rainer Kirberg | Placement Edition, Collector Product Placements: Concept / Design Fareed Armaly | Script rewrite inserts: Rainer Kirberg |
From/To, Witte de With, Rotterdam, NL.
| Artist | symposium | individual exhibition project |
Program , Art in Public Space commission, Kulturbehörde Hamburg, Germany.
| Artist / Director | University Semester media studies class, lecture series, and workshop | TV short format monolog plays | collab. commission for TV screenplay w. soap-screenplay author | commissions to TV-identity production design for visuals | electronic music composers for soundwerk |
Parts, Kunstverein München, Munich, D
| Artist | work residency | individual exhibition project |
?, (in NowHere) Working period: April 1995 - May 1996, Louisiana Museum, DK
Curator Ute Meta Bauer.
| Co-Curator / Artist | Large-scale group exhibition development and final manifestation | Project office development | Historical Research | Publication and Exhibition Design concept and realisation | Architectural intervention | Video | Performance script | Commissioning and overviewing dialog with participants from different fields | Author | in-situ exhibition realization |
Scale , Forum Stadtpark Prag, Prague, CR
| Artist | individual exhibition project |
Raumplan Jan. 1994 - Jan. 1995, E.A. Generali Foundation, Vienna, A
| Artist / Curator | Project office development | Historical Research in plan for Collection / Exhibition project | Institutional Media re-Design I.D. | Video | Exhibition Concept / Outline | participant commissions |
Exhibition Architecture for ars electronica, Design Center, Linz, A
| Artist / Architectural Design | Author |
BREA-KD-OWN, Palais des Beaux-Arts, Brussels, B
| Artist | individual exhibition project |
Project Unité Working period April 1992- April 1993, Firminy, F,
Curator: Yves Aupetitalot
| Artist | Large-scale exhibition, outside of institutional framework, ongoing Advisory / Organizational Role | insitu Project office development | Historical Research | Architectural intervention | Author |
Contact, Galerie Nagel, Cologne, D
| Artist | individual exhibition project |
Orphée 1990, Maison de la Culture et de la Communication, Saint-Etienne, F
| Artist | individual exhibition project |
(re)Orient , Galerie Lorenz, Paris, F
| Artist | individual exhibition project |
Wechselkurse, Galerie Dürr, Munich, D
| Artist | individual exhibition project |
1987 - current
Selected articles, essays, and interviews including w/ artists, architects, historians, musicians, producers...
Terminal Zone / R.O.O.M.
| Editor | Author | Video Production | essays include Dan Graham, Hazel Carby; commission interviews incl. George Clinton, Maceo Parker, David Thomas / Pere Ubu, Mayo Thompson, Green Garthside |


Curatorial Projects as Artistic Director
Künstlerhaus Stuttgart 1999-2002 (selected)

October - December 2002
Exhibitions | Installation | Soundwork | Screenings | Talks

Original Exhibition. Project | Commissions/ Works incl.:
N. and G. Urbonas, W. van Oldenburgh, C. Ruhm, R. Kirberg, R. Moeller, M. Rakatansky;
“Von Citizen Tania zu Patty Hearst,” curated by Wilhelm Schuerman
from works of Sammlung Schuerman.
Portrait of Shirley Clarke (1970) Dir.: Noël Burch, André Labarthe
What Do Those Old Films Mean? (1985) D: Noël Burch
Talk: Noël Burch
Les Maîtres Fous (1955) Dir.: Jean Rouch
Talk: Dr. Eva Hohenberger, Film theorist
Screening: Black and White in Color, Part 1 (1992) Dir.: Isaac Julien
“Theme as Variation: A Few of My Things” (2002)
Talk: Mark Rakatansky
Last Angel of History (1996) Dir.: J. Akomfrah
Talk: John Akomfrah
“A Civilian Occupation - The Politics of Israeli Architecture”
Segal/Eyal Weizman Architects
Talk: Rafi Segal.

July 17 - 19, 2002
Geographies Out of Gender
Exhibition | Symposium
Commission | Concept / Led by: Yvonne P. Doderer
June 13, 2002
A Trial - The indictment against Mr. Noethen, as undertaken by the Junior Lawyers
of the District Court of the city of Frankfurt under the supervision of
Matthias Mackenthun District Attorney / Frankfurt am Main.

Original Project | Event
Dir.: Rainer Kirberg

May, 2002
Layeral Intersect
Kim Cascone
Performance | Talk | Soundwork

April, 2002
Missing Link
Works 1970-80 from the Vienna-based Arbeitsgemeinschaft Missing Link
Original Exhibition | Discussion
a haus.0 project in collaboration with Constanze Ruhm

April 12, 2002
The Wild City – Genetics of Uncontrolled Urban Processes
Workshop | Talk

March, 2002
Rashid Masharawi
Screenings: Live from Palestine (2002) D: R.Masharawi
Shelter (1988) D: R.Masharawi
Talk: R.Masharawi

January 20, 2002
Terre Thaemlitz: Interstices
Event | Electroacoustic performance

July – August 2001
La Commune… The films of Peter Watkins
Screenings | Original Project
Talk: Patrick Watkins, "Rebond pour la Commune"

November – December 2001
NICHT löschbares Feuer
Harun Farocki | Films, Videos and Installations from 1968-2001
Curator: Constanze Ruhm
Talk: H. Farocki

November – December 2001
Spuren der Inszenierung
H. Farocki, O. Metzel, W. van Oldenburgh
Original Exhibition.

June-July 2001
Halluzinationer - Peter Weiss
Screenings of Weiss early avant garde film works, 1952-57

M/SOS Workshop
Screening: Marat/Sade (1967) D: P. Brooks
Talks: Norman Klein | Zoran Eric | Stevan Vukovic
Workshop: F. Armaly, R. Kirberg, N. Klein, Z.Eric, S.Vukovic, C. Ruhm

May-July 2001
From Girls to Grrrlz – A History of Women’s comics from Teens to Zines
Curator: Trina Robbins
Commission | Original Exhibition. | Traveled

April – May 2001
Jack Goldstein - An Installation of Films from the Artist (1974-1978)
Original Exhibition.

Feb 23 – April 2001
Anri Sala, Hollis Frampton, Jonas Mekas
Original Exhibition. | Talk: Anri Sala.

January 20, 2001
History and Identity Constructions - New Approaches in Documentary Cinema
Screening/Talks organized by Ute Meta Bauer
Die leere Mitte (1988) D. Hito Steyerl
Talk: Hito Steyerl

November 20, 2000 – 2002
Revival Fields - greenhaus project
Mel Chin
Commission | collab. Uni. Hohenheim.

October – November 2000
Illicit Form of Meditation
Rodney Graham, G. Matta-Clark, C. Ruhm
Original Exhibition

October 2000 – January 2001
Nomeda and Gediminas Urbonas

April - July 2000
AMP (asiatic mode of production)
Forms of Contemporary Popular Asian Culture from a Second-Generation Perspective
Commission | Original Exhibition
R. Sircar with haus.0

July 7, 2000
F. Hecker, K. Cascone, P. Rehberg

January 15, 2000
History and Identity Constructions - New Approaches in Documentary Cinema
Screening/Talks organized by Ute Meta Bauer
Frantz Fanon: Black Skin, White Mask (1996) D: I. Julien
Talk: Isaac Julien, Mark Nash

October 12th – January 24th, 2000
Original Exhibition

December 1999 – December 2000
The Melrose Plays
R. Kirberg
Commission | Workshop

initiated July 1999
LOVE, SEX, FAME and THE LIFE OF THE IMAGE" - The Anita Pallenberg Story
Laura Cottingham
Commission | Web-Series | Presentation

August 18 – November 7 1999
Artist Once-Removed
On the Performances, Records, Films and Paintings by Artist Jack Goldstein
Original Exhibition. | Travels (in: Goldstein retrospective, Magasin, Grenoble 2001)

November 10, 1999
(1964) D: A. Schneider, Screenplay : S. Beckett
Screening on film

September 1999
SWR Teleplays by Samuel Beckett
selection on video

October 22-23/29-30 1999
cine16 Roadshow
Geoff Alexander
Commission | Screenings 16mm | Talks

June 25 – August 25 1999
Global L.A. Pavilion
Norman Klein
Commission | Original Soundwork with Otto Kränzler

June – August 1999
Scripted Spaces: The Chase and the Labyrinth
Norman Klein
Commission | Original Exhibition | Traveled

May – June 1999
Metal Machine Music - Lou Reed
Commission | Original Sound-Installation collab. Lou Reed | Traveled

May – June 1999
open haus
Original Exhibition.


Group Exhibitions (selected)

2015 - 2016
'to expose, to show, to demonstrate, to inform, to offer' Artistic Practices around 1990
MUMOK - museum moderner kunst stiftung ludwig wien, Vienna, A
The Price of Everything ..., Independent Study Program Exhibition
Whitney Museum of American Art, New York City, US
Heard Not Seen
Orchard 47, New York City, US
Documenta11, Kassel, Artistic Director: Okwui Enwezor
[ "From/To" Section ]
Architectures of Discourse
Foundation Tapies, Barcelona, ES
Fleetinsel KG, Hamburg, D
? exhibition, in the NowHere Project
Louisiana Museum of Modern Art, Humlebaek, DK
temporary translations
Sammlung Schürmann, Deichtorhallen, Hamburg, D
Project Unité
curator: Yves Aupetitallot, Unité d'Habitation, Firminy, F
The Message as Medium
curator: Helmut Draxler, in: Der Standard (newspaper), Cash Flow (magazine)
museum in progress, Vienna, A
Eine Austellung mit Fareed Armaly, Cosima von Bonin,
Michael Krebber und Christian Philipp Müller

Kunstraum Daxer, Munich, D
International Landscape
Galerie Dürr, Munich, D
The Köln Show
Cologne, D


Related Website Projects

Shar(e)d Domains Project Website
Concept / Design Concept / Editor / Author
Fareed Armaly Homepage
Design Concept
From/To Project Website
Concept / Design Concept / Editor / Author
1999 -
haus.0 Program Archive / Reader
Concept / Design Concept / Editor / Author


Talks, Lectures, Seminars (selection)

Lecture 12. February, Al-Qattan Foundation, Ramallah, PS
Lecture / Crit. 17./18. April, Dutch Art Institute, Arnhem, NL
Lecture / Crit. 20. February, International Academy of Art Palestine, Ramallah, PS
Lecture at Legal Media - A colloquium in memory of Cornelia Vismann
10./11. June 2011, research project: Forensic Architecture: The space of law in war
supported by the Birkbeck School of Law, the Department of Visual Cultures
and the Centre for Research Architecture
Lecture for the Series k/haus reloaded:
Video Interview, Fareed Armaly, 2010, DVD, 8 min
Lecture, Audio, Künstlerhaus Wien, 21. Oktober 2010
"Some thoughts about the künstler in the haus:
the haus.0 program (1999 – 2002) in Künstlerhaus Stuttgart"

Seminar - Centre for Research Architecture
Roundtable: Research Architecture - A Laboratory for Critical Spatial Practices, Goldsmiths
University of London, Visual Cultures Department, London, UK, 14 May 2010
Lecture "Fareed Armaly - coercing constellations"
as part of "Visual Cultures Guest Lecture Series" Goldsmiths
University of London, Visual Cultures Department, London, UK, 13 May 2010
Lecture / Film Program
Museu d'Art Contemporani de Barcelona (MACBA): Tawfik Saleh ( Cinema series)

Introduction to the MACBA cinema series selection by Fareed Armaly and
lecture on the works of Egyptian filmmaker Tawfik Saleh, February / March 2010
Project interview Former West:
Research Interview with Fareed Armaly
Fareed Armaly, Charles Esche, Maria Hlavajova, Kathrin Rhomberg, 14 July 2009
Lectures / Workshop
International Curatorial Training Program
L'Ecole Du Magasin, Grenoble (F), January - June and October - May
Lecture / Presentation, "The Dupes"
Gatzipeko Kultur Elkartea, Bilbao (ES), October 27
Lecture / Workshop
L'Ecole Du Magasin, Grenoble (F), October 16-17
Lecture, Institute for Education in the Arts
Academy of Fine Arts, Vienna (A), June 5
Lecture, IBK, Media Class
Academy of Fine Arts, Vienna (A), June 6
Lecture, "Hosue", International Studies Seminar Series and
Lecture, "Art on the Moon", Studio Visits, School of Art
Illinois State University (US), February 13-14
Presentation / Studio Visits
Jan Van Eyck Academie, Maastricht (NL)
14 / 15 November
Lecture / Discussion, "The Dupes"
Oberhausen Film Festival
in the context of the "Radical Closure" program series
Oberhausen Film Festival, 7 May
Lecture / Discussion, "Helmut Draxler in discussion with Fareed Armaly"
Kunst & Migration
Discussion series in the context of "Projekt Migration"
Kölnischer Kunstverein, 7 July
Lecture, "From To and Other Directions"
American University of Beirut, Lb. 11 October.
ram6, Vilnius, Lithuania
Project "VILMA "section concept development
in collab. w. Nomeda and Gediminas Urbonas
Lecture / Workshop, b-works, Vilnius (part of ram6) 14-16 April, 7 -12 May.
Lecture, Danske Kunstakademi, Kopenhagen, 20 November.
"Cosmopolitics" (2) Borders
documenta 11. Film und Dialog, Curator: Mark Nash
Goethe Institute/Akademie der Künste, Berlin, 16 November.
"Globalization and Cartographies of Power"
Centre for Cultural Studies, Goldsmiths College, London, 01 October.
"Visual Studies in a State of Emergency"
Symposium, Cornell University, Ithaca, NY, 04/05 April.
"Remapping The Region"
Symposium, OK Centrum, Linz, 07/08 March.
Documenta11, Kassel, Artistic Director: Okwui Enwezor
D11:"From/To", 2002, Project by Fareed Armaly, with Rashid Masharawi.
D11:"From/To", workshop/presentation, Organizer / Speaker: Fareed Armaly
with Ute Meta Bauer, Helmut Draxler, Mark Nash, Mai Masri, Rashid Masharawi
"Postcolonialism and the Cosmopolitanism Imagination"
Tate Modern symposium, chair: Francoise Vergés.
www.haussite.net, since 1999, Reader / Documentation website for haus.0 program.
Architectures of Discourse, curator: Ute Meta Bauer;
curatorial consultant / design concept for exhibition.
and new periodical, case Foundation Tapies, Barcelona, ES.
Seminar, Det Jyske Kunstakademi, Arhus, DK.
"Professional Standards in Curatorial Practice"
Symposium / Seminar, Ass. Art Historians, Belgrade.
haus.0 program 1999-2002, selected workshops, teaching, presentations, screenings, Künstlerhaus Stuttgart, D.
Symposium, Akademie der Bildenden Künste, Stuttgart, Germany.
"From/To", Lecture, Columbia University, Department of Architecture, New York, USA.
"From/To", Symposium, selection of Palestinian filmmakers, art historians, sociologists, Witte de With, NL.
"Program", Art in Public Space commission, Kulturbehörde Hamburg, Germany.
"Art on the Moon", Lecture, Bauhaus University, Weimar, Germany.
Workshop, Hochschule für Bildende Künste, Hamburg, Germany.
"Parts", Lecture / Presentation, Kunstverein München, Munich, D
Lecture / Workshop, Institut für Gegenwartskunst
Akademie der Bildenden Künste, Vienna, A
"Survey", Lecture / Video production, Kunstverein Salzburg, A
"Korrektur in Stuttgart", Lecture / Workshop for Künstlerhaus


2010 (ongoing)
Visiting Fellow 2011 - 2014 | PHD Advisor at the Centre for Research Architecture
Department of Visual Cultures, London, UK
2008 - 2013
Program Instructor, Ecole du Magasin
[International Postgraduate Curatorial Training Program], Grenoble
CCC, post-graduate program, Ecole superieure des beaux-arts, Geneva
Guest Professor, Fachhochschule für Technik und Gestaltung Pforzheim,
Department: Kunst, Design, Medien und Gestaltung
Lecturer, Ecole du Magasin [International Curatorial Training Program], Grenoble
Tutor 1999-2001, Jan Van Eyck Akademie, [Postgraduate studies] Maastricht
Lecturer, Ecole du Magasin [International Curatorial Training Program], Grenoble
Guest Professor SS'98, Department of Media, Universität Hamburg,
in connection with Program, Art in Public Space, Kulturbehörde Hamburg


Publications / Website / Texts

A Conversation Between Fareed Armaly and Julie Ault "Past Present" in
'to expose, to show, to demonstrate, to inform, to offer' Artistic Practices around 1990
Matthias Michalka (Ed.), Museum moderner Kunst Stiftung Ludwig Wien / Verlag der
Buchhandlung Walther König, Köln, 2015
Essay "'New Muse': The Museum Exhibition Design as Hubris" in Design Anthropology:
Outline of an Expanded Concept of Design in the Field of the Empirical Cultural Sciences
Yana Milev (Ed.), Peter Lang - Internationaler Verlag der Wissenschaften, 2013
"Mel Chin // In Conversation with Fareed Armaly and Ute Meta Bauer // 1997"
in NATURE; Documents of Contemporary Art
co-published by Whitechapel Gallery, London and the MIT Press, 2012
"Crossroads and Contexts: Interviews on Archeology in Gaza"
section in Journal of Palestine Studies: Vol. 146, n.2 (Winter 2008), pp.43-81
Author: Fareed Armaly
Coercing Constellations:
Space, Reference and Representation in Fareed Armaly
(German / English)
Helmut Draxler, 2007
b_books, Reihe PoLYpeN, Berlin
ISBN 3-933557-68-2
"From To" essay in: Remapping the Region, Culture and Politics in Israel / Palestine,
pub.ok books 2/04, folio verlag. Author: Fareed Armaly
"Feursee Footnotes", essay in: Stadluft, Wendelien van Oldenborgh, 2004,
art3 Valence and Revolver Verlag, Frankfurt . Author: Fareed Armaly
From/To project website: http://fromto.withthis.net/, Documenta11
Concept / Design Concept / Editor / Author
case, issue 1: Architectures of Discourse, Foundation Tapies
Design Concept / Author
- Concept / Design Concept / Editorial
Website for haus.0 program
Brochure series for haus.0 program
"Bridge" Exhibition section
Concept Design / Author: Fareed Armaly in: Bridge - The Map is not the Territory,
pub. Fleetinsel KG, Hamburg, D
Parts, 2 Vol., Editor / Design Concept / Author: Fareed Armaly
Fareed Armaly for Kunstverein Munich, D
"?" section in: NowHere, Exhibition catalog, Vol.1/2
Editor / Design Concept: Armaly/Bauer.
Pub. Louisiana Museum of Modern Art, Humlebaek, DK
Scale, Author / Design Concept: Fareed Armaly
"Fareed Armaly" Section in: Kontext Kunst, exhibition catalog
Section Editor / Design Concept: Fareed Armaly
Pub. Peter Weibel, DuMont Köln.
BREA-KD-OWN, Editor / Author / Design Concept: Fareed Armaly
Pub. Palais des Beaux Arts, Brussels, B
Contact, Editor / Design Concept / Author: Fareed Armaly
Galerie Christian Nagel, Cologne, D
"I,II, III, IV, V" in: Fixed Values, Exhibition Publication
Palais des Beaux Arts, 1992, Brussels, B
"American Memory", article in:Texte zur Kunst, n.4, 180-185.
Author: Fareed Armaly
Orpheé 1990, Editor / Author / Design Concept: Fareed Armaly
Maison de la Culture et de la Communication, Saint-Etienne, F
"Supply Song", text in: Nachschub, Exhibition Catalog, ed. Spex, Cologne, D
Author: Fareed Armaly
"On Musical Biographies: JAMC", review in: Spex, 02/90, 64.
Author: Fareed Armaly
(re)Orient, Brochure, Author / Designer: Fareed Armaly
R.O.O.M. Editor / Design Concept / Publisher / Author: Fareed Armaly
"Displaced Passage", Fareed Armaly artist pages in: International Landscape
Exhibition catalog, Galerie Dürr, Munich, D
Terminal Zone, Editor / Author / Design Concept / Publisher


Bibliography (selected) E=english translation

G.Czöppan, "Wechselkurse - Fareed Armaly bei Buck & Nagel",
Münchner Stadtzeitung, no.11, 1988
Bartomeau-Mari, AVUI, 05.07.88
Justin Hoffman, "Terminal Zone", Wolkenkratzer, 1988, 85
( Interview on Terminal Zone / Exhibition), tele5 TV, Munich
R.Fellner, "International Landscape", Artefactum, May, 1989, 48
C.Blase, "International Landscape", Artis no.3, 36-39
T.Kepler, "Bilder vom Orient", die tageszeitung, Oct.19, 15
Oliver Zahm, "Fareed Armaly; (re) Orient, Galerie Lorenz", Flash Art, Dezember 1989
Hana Jaber, "The Orient sees itself through a vision that is closer", Al-Hayat, 1989
H.Draxler, "Perspectivismus", Noema, Feb.
O.Zahm, "(re)Orient", Flash Art, no.150
Nicolas Bourriaud, "un art de réalisateurs", art press 147, May 1990
"The Köln Show", Artscribe, Summer 1990, p.13
Luk Lambrecht, "Orphée 1990", Knack, 7.07.90, 18
H.Jaber, "(re)Orient", Alhayat, Aug. 30, 12 (culture section)
Eric Troncy, "Fareed Armaly, Maison de la Culture", Artscribe, Nov.-Dec. 1990
Christoph Blase, "Orphée 1990", Kunst Bulletin, nr.9, 33
Helmut Draxler, "Fareed Armaly; Maison de la Culture", Artforum, January 1991, 138
E.Fiedler, "Verständnis für Verbindung aus Avantgarde und Wirtschaftlichkeit", NZ, 5.08
Excerpt: S.Germer, "Im Sichtfeld des Feindes", Texte zur Kunst, nr.3 Sommer
Isabelle Graw, "Short Story - An interview with Christian Nagel", Forum international,
Vol.III, No.11, January - February 1992
Christoph Blase, "Zwischen weißen Vögeln", Frankfurter Allgemeine Zeitung,
nr. 54, 4.03.92, 36
Frederik Leen, "The Critique of the System of Sign-Exchange Rates. The Aesthetic Production of Fareed Armaly", Forum International nr.12, Maerz 1992, 62-69
"Contact" (excerpt), Heaven Sent, Mai - Juli 1992
Christoph Blase,"Vom Betrachter zum Benutzer:Fareed Armaly", Kunst-Bulletin,
nr.11, Juli/August 1992, 14-19
Helmut Draxler, "Fareed Armaly, The Nature and Method of Cultural Production",
Flash Art, 1992
Olivier Zahm, "Fareed Armaly; Galerie Christian Nagel", Artforum, September 1992
Koen van Synghel, "Fareed Armaly, Palais voor schone kunsten"
De Kunstberg , BRTN radio, 23.08.93
"KulturTrends der Neunziger" (excerpt), FOCUS Magazin, Nr. 27, 1993
COPYSHOP, Kunstpraxis und politische Öffentlichkeit, ein Sampler von BüroBert, "CONTACT - Korrespondenz/Gespräch mit BüroBert", Oct. 1993
B.Quick, "Fareed Armaly", frieze, Nov-Dec, 58
Sabine Vogel, "Korridor der Stimmen", Artis, Nov. 16-20
Luk Lambrecht, "BREA-KD-OWN", Blocnotes, n.4, Automne, 84
Frank Perrin, "New Deals - Contexts and Decodings", Flash Art, 1994
"Fareed Armaly", in Peter Weibel (Hg.), Kontext Kunst, Köln, Dumont Verlag,1994
Sabine Vogel, "BREA-KD-OWN", Artforum, May 1994
Olivier Zahm, ... Art Press, no. 187
Juergen Hohmeyer, "Aufatmen beim Verhoer", DER SPIEGEL nr.3, 1995, 152
Oliver Zahm, "The Present Everyday", ACME no.2 1995, 117-119
Sarah McFadden, "Report from Cologne: Changing of the Guard", Art in America,Vol. 83, no. 2, 02.1995
EExcerpt: Tom Holert, "Mit dem Ruecken zur Wand [...]", Texte zur Kunst, 1995
ESabine B. Vogel, "Cross-Over. Ein Interview mit Fareed Armaly", Artis, 1995, 50-55
Christoph Blase, "Wehe, wenn die Werke nicht mehr senden", Frankfurter Allgemeine Zeitung, 24.01.1995, S.27
Juergen Hohmeyer, "Verliere dich", DER SPIEGEL nr.21, 1996, 244-246
C. Blase, "Der Synthesizer gewinnt immer", Frankfurter Allgemeine Zeitung, 31.10.97
EBirgit Sonna, "Im Spiegelkabinett der Geschichte", Sueddeutsche Zeitung, 14.11.97
Excerpt: H. Saxenhuber, "Relatives Scheitern?" Ein Gespräch mit dem
französischen Kurator Yves Aupetitalot (...)
, springer Band III, heft 3/97, 24-25
E Wolf Jahn, "Bridge/The Map Is Not the Territory."
- modern sculpture, Arbeitsgemeinschaft Fleetinsel, Hamburg, Germany, Artforum International Magazine, Dec. 1997
Ute Meta Bauer / Fareed Armaly, "Information, Education, Entertainment, ? Section, Nowhere, Louisiana Museum", in Curating - The Contemporary Art Museum and Beyond,
Art and Design,.82-85,1997
Ute Meta Bauer / Fareed Armaly, "Information, Education, Entertainment, ? Sektion der Ausstellung, Nowhere, Louisiana Museum of Modern Art", Jahrbuch, Institut für Moderne Kunst Nürnberg, 34-49,1997
EA. Loges, S. Harms, "Keine Nostalgia!", Hamburger Rundschau, nr. 31, 30.07.98
Simone Schmelzle, "Zwischen Wegen gehen", Stuttgarter Zeitung nr 251, 30.10.98
Katrin Wittneven, "Wechselkurse", neue bildende kunst, 4/98, pg.5
Josephine Pryde, "Grenzmarken", Texte Zur Kunst, 1999, 197-201
Holger Liebs, "From/To", Frieze, 1999
...."Palestinian's dreams in Rotterdam", Al-Hayat, April 1999
Brian Holmes, "Steine im Garten der Aesthetik. Ueber Fareed Armaly's Austellung 'From/To'", springerin, Band V Heft 2/99
Brian Holmes, "De l'interaction en art contemporain", Parachute, 1999
ERenate Puvogel, "Fareed Armaly, 'From/To'", Kunstforum,1999 402-403
EKatja Blomberg, "Wege auf einem Kieselstein", Frankfurter Allgemeine Zeitung,
9.03.1999, nr 57, 54
SWR-TV Culture Journal, [on haus.0 program] 6 min broadcast, 1999.
Anja Dorn,"haus.0[..]", Metropolis, Feb.
N. and G. Urbonas, "A Chat conversation with Fareed Armaly..", in Transaction, 2001
Wendelien van Oldenborgh, "Letter from Stuttgart, A Conversation with Fareed Armaly",
NICC journal, Spring 2001
Eileen Sommerman,"Three Dimensions", Canadian Arts, 2001
EHelmut Draxler, "Der allegorische Impuls des Kuratierens", springerin Fall 2001
EGabrielle Hoffman, "In der Schusslinie", die tageszeitung, 04.12.01
Lionel Bovier, "Interview with Fareed Armaly", Jack Goldstein, Magasin, 2002
EFareed Armaly, "Interview with Rashid Masharawi", springerin, Summer 2002
"From/To", Documenta11_Platform5: Exhibition Catalogue, Cantz 2002
EThomas Wulffen, "From/To", Documenta Issue, Kunstforum, Summer 2002
"Arab Artists Find .." Daily Star, Beirut
"Geschichte/Geschichten III: Fareed Armaly und Rashid Masharawi: From/To - Von/Bis -
Von hier nach da"
hr-online, 04.07.02
Ludwig Seyfarth, Palästinas Identitätskonflikt wird sichtbar: Fareed Armaly, FAZ, 17.05.2002
Susanne Kaufmann, [on Künstlerhaus Stuttgart / Documenta11 project ] SWR-TV,
Culture Journal, June 2002
EPeter Weibel, from "Mein Documenta Favorit.." series, Stuttgarter Zeitung, 28.08.02
EIsabelle Graw, "Das Diagramm", Frankfurter Rundschau, 07.08. 02
Dietrich Heißenbüttel, "Netzwerke in Ziegelmauern", Stuttgarter Zeitung, 15.11.02
EDietrich Heißenbüttel, "Netzwerke der Erkenntnis", die tageszeitung, 3.12.02
Brian Holmes, "Interaction in Contemporary Art", in:
Hieroglyphs of the Future, Arkzin Communications 2002-3
Tom Holert, "Blood of the Poets - the tribal '80s" Artforum, v.41, no 7, 04.03
Maria Fernández, "A CRITICAL PERSPECTIVE", in:
Nka Journal of Contemporary African Art, Spring/Summer 2003 2003(18): 48-55;
Virginijus Kincinaitis,"Klasika" LNRT RADIO, Interview / Discussion
Fareed Armaly, Nomeda and Gediminas Urbonas, 16.04.04
Dan R. Goddard, "Exhibit explores split between U.S., France",
San Antonio Express-News
, 08.08.2004
Herbert Grabes, "Neue Radikalität in der frühen Postmoderne" (p.88) in Einführung in die Literatur und Kunst der Moderne und Postmoderne: die Ästhetik des Fremden, Tübingen, Francke 2004
Julie M. Johnson, "Museum in Progress" in Janet Stewart, Simon Ward, Blueprints for No-Man's Land, Peter Lang – International Academic Publishers, 2004
Amin Farzanefar, Interview: "Wann wurde ich ein deutscher Künstler"? , in:
Qantara.de, published 01.11.2005
EDietrich Heißenbüttel, "Bruchstücke, neu zusammengefügt -
Eine Genfer Ausstellung zur Archäologie des Gazastreifens"
Neue Züricher Zeitung, 03.07.2007
Kaelen Wilson-Goldie, "Obsidian chunks, a vitrious mass, a broken sundial and
an object lesson"
, The Daily Star, Beirut, 01.08.2007
EDietrich Heißenbüttel, "Wo die Karawanenrouten enden -
Eine Ausstellung in Genf präsentiert erstmals den archäologischen Reichtum des Gazastreifens - Ausgrabungen zur nationalen Identität"
Stuttgarter Zeitung,
Silvia Naef, "meeting point ", Canvas Magazine, UAE, November / December 2007
E Georg Schöllhammer, "Die Position von gestern in Frage stellen, Georg Schöllhammer
im Gespräch mit dem Kunsthistoriker und -kritiker Helmut Draxler", springerin, Spring 2008 (external link: english / german)
André Rottmann, "Reflexive Systems of Reference / Approximations to 'referentialism' in contemporary art", Texte Zur Kunst, 2008, issue 71
Kate Green, "International Artist-in-Residence, New Works: 04.2 - Fareed Armaly",
2004 Artpace Residencies and Exhibitions, 2008, Matthew Drutt, general editor, Artpace San Antonio, TX, USA
Van Niekerk, Leone Anette, Chapter 4: Curating Globality / Producing Locality of 'Documenta 11 as examplar for transcultural curating : a critical analysis',
Doctoral Thesis, University of Pretoria
, S.Africa
Helmut Draxler, "Das Eigentum an den Eigenschaften", pp 34-37, in Sammlung Kienzle Texte/Werke, Kienzle Art Foundation 2009
Silvia Marimon, "L'altre cinema - Ni propaganda ni herois", Time Out Barcelona, on Program of MACBA - Museum of Contemporary Art Barcelona Spain, February 2010
Tom Peeters, "Van rotzooi naar kunst ", De Tijd, 21.April, 2010, pg. 28 (pdf: flemish)
André Rottmann, "Reflexive Systems of Reference / Approximations to 'referentialism' in contemporary art", Rehabilitation, MER. Paper Kunsthallevzw., Gent, Belgium
Tom Holert, "Artistic Research: Anatomy of an Ascent", in Texte zur Kunst, No. 82 / June 2011 "Artistic Research"
The Africa Film Project, "World Cup Film Intro: The Dupes", at MUBI.com (curated online cinema)
Paul O’Neill, The culture of curating and the curating of culture(s), MIT Press (cite 104-105)
Bruce Altshuler, Biennials and Beyond: Exhibitions that Made Art History: 1962-2002, Phaidon Press, UK, April 2013
Dietrich Heissenbuettel, Kunst in Stuttgart, "Künstlerhäuser und Stipendienprogramme", Hampp Verlag, Stuttgart, 2013, p.188-189
Jens Hoffmann, Show Time The 50 Most Influential Exhibitions of Contemporary Art, Thames & Hudson Limited, UK, March 2014
Yves Aupetitallot, "Project Unité à Firminy - Entretien avec Yves Aupetitallot", in MAY Editions, #12, 04/2014
Helmut Draxler, "The Turn from the Turns: An Avant-Garde Moving Out of the Centre (1986–93)" in Exhibition as Social Intervention: 'Culture in Action' 1993, Afterall Books - Exhibition Histories, Volume 5, October 2014
Anne Volvey, “Entre l’art et la géographie, une question (d’)esthétique”, Belgeo (en ligne),
3 | 2014, download pdf
mousse magazine no.51, 1985–1995 EXHIBITION VIEWS, december 2015, Milano, Italy