Fareed Armaly
* 1957, USA

current: Visiting Fellow 2011 - 2013 | PHD Advisor
Centre for Research Architecture, Department of Visual Cultures, London, UK

since 2008 Program Instructor
Ecole du Magasin [International Postgraduate Curatorial Training Program], Grenoble

recent / in progress:

Dietrich Heissenbuettel: Monograph Fareed Armaly, to be published in 2012

Essay "'New Muse': The Museum Exhibition Design as Hubris" in Design Anthropology:
Outline of an Expanded Concept of Design in the Field of the Empirical Cultural Sciences
Yana Milev (Ed.), Peter Lang - Internationaler Verlag der Wissenschaften; to be published 2012

Series k/haus reloaded, Künstlerhaus, Vienna, Austria:
Video Interview, Fareed Armaly, 2010, DVD, 8 min
Lecture, Audio, Künstlerhaus Wien, 21. Oktober 2010
"Some thoughts about the künstler in the haus:
the haus.0 program (1999 – 2002) in Künstlerhaus Stuttgart"

Project interview Former West:
Research Interview with Fareed Armaly
Fareed Armaly, Charles Esche, Maria Hlavajova, Kathrin Rhomberg, 14 July 2009

"Crossroads and Contexts: Interviews on Archeology in Gaza"
section in Journal of Palestine Studies:
Vol. 37, Issue 146, n.2 (Winter 2007/2008), pp.43-81
Author: Fareed Armaly
download article as pdf including original images
project website: Shar(e)d Domains

not yet titled
documentary on “The Dupes” / Director Tawfik Saleh

Individual Exhibition Projects

Shar(e)d Domains (project website)
Musée d'Art et d'Histoire, Geneva, CH

orient(n)ations
ArtPace, San Antonio, USA

From/To
Witte de With, Rotterdam, NL.

Parts
Kunstverein München, Munich, D

Scale
Forum Stadtpark Prag, Prague, CR

BREA-KD-OWN
Palais des Beaux-Arts, Brussels, B

Contact
Galerie Nagel, Cologne, D

Orphée 1990
Maison de la Culture et de la Communication, Saint-Etienne, F

(re)Orient
Galerie Lorenz, Paris, F

Wechselkurse
Galerie Dürr, Munich, D

Large-scale Projects / Commissions

Shar(e)d Domains (project website)
commission for archeological exhibition: Gaza at the crossroad of civilizations
Musée d’Art et d’Histoire, Geneva, CH

In production, documentary on Director Tawfik Saleh / “The Dupes”

Workshops: Concept / series of "scripting" processing workshops for “VILMA” Project,
commissioned by Nomeda and Gediminas Urbonas

Research Fellow, ZKM, Karlsruhe

Jack Goldstein retrospective, haus.0 institutional collaboration
Magasin- Centre National d'Art Contemporain, Grenoble
Curators: Yves Aupetitallot, Lionel Bovier.

Architectures of Discourse, 2001, Foundation Tapies, ES, Curator: Ute Meta Bauer

Large-scale Exhibition Development | Curatorial Advisory Role | Artist | Author | Exhibition and Publication Design |

haus.0, four year program as Artistic Director, Künstlerhaus Stuttgart, D

| International four-year program | working with artists, sociologists, media producers, composers, historians, filmmakers, theorists | many projects created by haus.0 or first showing in Germany or Stuttgart | Building renovation plan for three floors, establishing new exhibition space philosophy in link with establishing digital video / audio media studios | established updating online program website as journal and reader in German and English | brochure series | new exhibitions, historical and contemporary perspectives | linking to new media libraries, educational workshops and institutional collaborations |

Placement , Edition commission from Sammlung TwoDo, Neuer Aachener Kunstverein, Aachen, D

| Artist Fareed Armaly | Commissioned script, Rainer Kirberg | Placement Edition, Collector Product Placements: Concept / Design Fareed Armaly | Script rewrite inserts: Rainer Kirberg |

Program , Art in Public Space commission, Kulturbehörde Hamburg, Germany.

| Artist / Director | University Semester media studies class, lecture series, and workshop | TV short format monolog plays | collab. commission for TV screenplay w. soap-screenplay author | commissions to TV-identity production design for visuals | electronic music composers for soundwerk |

?, (in NowHere) Working period: April 1995 - May 1996, Louisiana Museum, DK
Curator Ute Meta Bauer.

| Co-Curator / Artist | Large-scale group exhibition development and final manifestation | Project office development | Historical Research | Publication and Exhibition Design concept and realisation | Architectural intervention | Video | Performance script | Commissioning and overviewing dialog with participants from different fields | Author | in-situ exhibition realization |

Raumplan Jan. 1994 - Jan. 1995, E.A. Generali Foundation, Vienna, A

| Artist / Curator | Project office development | Historical Research in plan for Collection / Exhibition project | Institutional Media re-Design I.D. | Video | Exhibition Concept / Outline | participant commissions |

Exhibition Architecture for ars electronica, Design Center, Linz, A

| Artist / Architectural Design | Author |

Project Unité Working period April 1992- April 1993, Firminy, F,
Curator: Yves Aupetitalot

| Artist | Large-scale exhibition, outside of institutional framework, ongoing Advisory / Organizational Role | insitu Project office development | Historical Research | Architectural intervention | Author |

Selected articles, essays, and interviews including w/ artists, architects, historians, musicians, producers...
Terminal Zone / R.O.O.M.

| Editor | Author | Video Production | essays include Dan Graham, Hazel Carby; commission interviews incl. George Clinton, Maceo Parker, David Thomas / Pere Ubu, Mayo Thompson, Green Garthside |

Group Exhibitions (selected)

The Price of Everything ..., Independent Study Program Exhibition
Whitney Museum of American Art, New York City, US

Heard Not Seen
Orchard 47, New York City, US

Documenta11, Kassel, Artistic Director: Okwui Enwezor
[ "From/To" Section ]

Architectures of Discourse
Foundation Tapies, Barcelona, ES

Bridge
Fleetinsel KG, Hamburg, D

? exhibition, in the NowHere Project
Louisiana Museum of Modern Art, Humlebaek, DK

temporary translations
Sammlung Schürmann, Deichtorhallen, Hamburg, D

Project Unité
curator: Yves Aupetitallot, Unité d'Habitation, Firminy, F

The Message as Medium
curator: Helmut Draxler, in: Der Standard (newspaper), Cash Flow (magazine)
museum in progress, Vienna, A
Eine Austellung mit Fareed Armaly, Cosima von Bonin,
Michael Krebber und Christian Philipp Müller
Kunstraum Daxer, Munich, D

International Landscape
Galerie Dürr, Munich, D
The Köln Show
Cologne, D

Related Website Projects

Shar(e)d Domains Project Website
http://www.fareedarmaly.net/shard
Concept / Design Concept / Editor / Author

Fareed Armaly Homepage
www.fareedarmaly.net
Design Concept

From/To Project Website
fromto.withthis.net/
Concept / Design Concept / Editor / Author

haus.0 Program Archive / Reader
www.haussite.net
Concept / Design Concept / Editor / Author

Talks, Lectures, Seminars (selection)

Lecture / Crit. 17./18. April, Dutch Art Institute, Arnhem, NL
Lecture / Crit. 20. February, International Academy of Art Palestine, Ramallah, PS

Lecture at Legal Media - A colloquium in memory of Cornelia Vismann
10./11. June 2011, research project: Forensic Architecture: The space of law in war
supported by the Birkbeck School of Law, the Department of Visual Cultures
and the Centre for Research Architecture

Lecture for the Series k/haus reloaded:
Video Interview, Fareed Armaly, 2010, DVD, 8 min
Lecture, Audio, Künstlerhaus Wien, 21. Oktober 2010
"Some thoughts about the künstler in the haus:
the haus.0 program (1999 – 2002) in Künstlerhaus Stuttgart"
Seminar - Centre for Research Architecture
Roundtable: Research Architecture - A Laboratory for Critical Spatial Practices, Goldsmiths
University of London, Visual Cultures Department, London, UK, 14 May 2010
Lecture "Fareed Armaly - coercing constellations"
as part of "Visual Cultures Guest Lecture Series" Goldsmiths
University of London, Visual Cultures Department, London, UK, 13 May 2010
Lecture / Film Program
Museu d'Art Contemporani de Barcelona (MACBA): Tawfik Saleh ( Cinema series)
Introduction to the MACBA cinema series selection by Fareed Armaly and
lecture on the works of Egyptian filmmaker Tawfik Saleh, February / March 2010

Project interview Former West:
Research Interview with Fareed Armaly
Fareed Armaly, Charles Esche, Maria Hlavajova, Kathrin Rhomberg, 14 July 2009
Lectures / Workshop
International Curatorial Training Program
L'Ecole Du Magasin, Grenoble (F), January - June and October - May

Lecture / Presentation, "The Dupes"
Gatzipeko Kultur Elkartea, Bilbao (ES), October 27
Lecture / Workshop
L'Ecole Du Magasin, Grenoble (F), October 16-17
Lecture, Institute for Education in the Arts
Academy of Fine Arts, Vienna (A), June 5
Lecture, IBK, Media Class
Academy of Fine Arts, Vienna (A), June 6
Lecture, "Hosue", International Studies Seminar Series and
Lecture, "Art on the Moon", Studio Visits, School of Art
Illinois State University (US), February 13-14

Presentation / Studio Visits
Jan Van Eyck Academie, Maastricht (NL)
14 / 15 November

Lecture / Discussion, "The Dupes"
Oberhausen Film Festival in the context of the "Radical Closure" program series
Oberhausen Film Festival, 7 May

Lecture / Discussion, "Helmut Draxler in discussion with Fareed Armaly"
Kunst & Migration Discussion series in the context of "Projekt Migration"
Kölnischer Kunstverein, 7 July

Lecture, "From To and Other Directions"
American University of Beirut, Lb. 11 October.
ram6, Vilnius, Lithuania
Project "VILMA "section concept development
in collab. w. Nomeda and Gediminas Urbonas
Lecture / Workshop, b-works, Vilnius (part of ram6) 14-16 April, 7 -12 May.

Lecture, Danske Kunstakademi, Kopenhagen, 20 November.
"Cosmopolitics" (2) Borders
documenta 11. Film und Dialog, Curator: Mark Nash
Goethe Institute/Akademie der Künste, Berlin, 16 November.
"Globalization and Cartographies of Power"
Centre for Cultural Studies, Goldsmiths College, London, 01 October.
"Visual Studies in a State of Emergency"
Symposium, Cornell University, Ithaca, NY, 04/05 April.
"Remapping The Region"
Symposium, OK Centrum, Linz, 07/08 March.

Documenta11, Kassel, Artistic Director: Okwui Enwezor

D11:"From/To", 2002, Project by Fareed Armaly, with Rashid Masharawi.
D11:"From/To", workshop/presentation, Organizer / Speaker: Fareed Armaly
with Ute Meta Bauer, Helmut Draxler, Mark Nash, Mai Masri, Rashid Masharawi

"Postcolonialism and the Cosmopolitanism Imagination"
Tate Modern symposium, chair: Francoise Vergés.
www.haussite.net, since 1999, Reader / Documentation website for haus.0 program.
Architectures of Discourse, curator: Ute Meta Bauer;
curatorial consultant / design concept for exhibition.
and new periodical, case Foundation Tapies, Barcelona, ES.
Seminar, Det Jyske Kunstakademi, Arhus, DK.
"Professional Standards in Curatorial Practice"
Symposium / Seminar, Ass. Art Historians, Belgrade.

haus.0 program 1999-2002, selected workshops, teaching, presentations, screenings, Künstlerhaus Stuttgart, D.
Symposium, Akademie der Bildenden Künste, Stuttgart, Germany.
"From/To", Lecture, Columbia University, Department of Architecture, New York, USA.
"From/To", Symposium, selection of Palestinian filmmakers, art historians, sociologists, Witte de With, NL.

"Program", Art in Public Space commission, Kulturbehörde Hamburg, Germany.
"Art on the Moon", Lecture, Bauhaus University, Weimar, Germany.
Workshop, Hochschule für Bildende Künste, Hamburg, Germany.

"Parts", Lecture / Presentation, Kunstverein München, Munich, D
Lecture / Workshop, Institut für Gegenwartskunst
Akademie der Bildenden Künste, Vienna, A
"Survey", Lecture / Video production, Kunstverein Salzburg, A

"Korrektur in Stuttgart", Lecture / Workshop for Künstlerhaus Stuttgart, D

Teaching

Visiting Fellow 2011 - 2013 | PHD Advisor at the Centre for Research Architecture
Department of Visual Cultures, London, UK

Program Instructor, Ecole du Magasin
[International Postgraduate Curatorial Training Program], Grenoble

CCC, post-graduate program, Ecole superieure des beaux-arts, Geneva

Guest Professor, Fachhochschule für Technik und Gestaltung Pforzheim,
Department: Kunst, Design, Medien und Gestaltung
Lecturer, Ecole du Magasin [International Curatorial Training Program], Grenoble

Tutor 1999-2001, Jan Van Eyck Akademie, [Postgraduate studies] Maastricht
Lecturer, Ecole du Magasin [International Curatorial Training Program], Grenoble

Guest Professor SS'98, Department of Media, Universität Hamburg,
in connection with Program, Art in Public Space, Kulturbehörde Hamburg

Publications / Website / Texts

"Mel Chin // In Conversation with Fareed Armaly and Ute Meta Bauer // 1997"
in NATURE; Documents of Contemporary Art
co-published by Whitechapel Gallery, London and the MIT Press, 2012

"Crossroads and Contexts: Interviews on Archeology in Gaza"
section in Journal of Palestine Studies: Vol. 146, n.2 (Winter 2008), pp.43-81
Author: Fareed Armaly

Coercing Constellations:
Space, Reference and Representation in Fareed Armaly
(German / English)
Helmut Draxler, 2007
b_books, Reihe PoLYpeN, Berlin
ISBN 3-933557-68-2

"From To" essay in: Remapping the Region, Culture and Politics in Israel / Palestine,
pub.ok books 2/04, folio verlag. Author: Fareed Armaly
"Feursee Footnotes", essay in: Stadluft, Wendelien van Oldenborgh, 2004,
art3 Valence and Revolver Verlag, Frankfurt . Author: Fareed Armaly

From/To project website: http://fromto.withthis.net/, Documenta11
Concept / Design Concept / Editor / Author

case, issue 1: Architectures of Discourse, Foundation Tapies
Design Concept / Author

haus.0
www.haussite.net - Concept / Design Concept / Editorial
Website for haus.0 program
Brochure series for haus.0 program

"Bridge" Exhibition section
Concept Design / Author: Fareed Armaly in: Bridge - The Map is not the Territory,
pub. Fleetinsel KG, Hamburg, D
Parts, 2 Vol., Editor / Design Concept / Author: Fareed Armaly
Fareed Armaly for Kunstverein Munich, D

"?" section in: NowHere, Exhibition catalog, Vol.1/2
Editor / Design Concept: Armaly/Bauer.
Pub. Louisiana Museum of Modern Art, Humlebaek, DK

Scale, Author / Design Concept: Fareed Armaly

"Fareed Armaly" Section in: Kontext Kunst, exhibition catalog
Section Editor / Design Concept: Fareed Armaly
Pub. Peter Weibel, DuMont Köln.

BREA-KD-OWN, Editor / Author / Design Concept: Fareed Armaly
Pub. Palais des Beaux Arts, Brussels, B

Contact, Editor / Design Concept / Author: Fareed Armaly
Galerie Christian Nagel, Cologne, D
"I,II, III, IV, V" in: Fixed Values, Exhibition Publication
Palais des Beaux Arts, 1992, Brussels, B

"American Memory", article in:Texte zur Kunst, n.4, 180-185.
Author: Fareed Armaly

Orpheé 1990, Editor / Author / Design Concept: Fareed Armaly
Maison de la Culture et de la Communication, Saint-Etienne, F
"Supply Song", text in: Nachschub, Exhibition Catalog, ed. Spex, Cologne, D
Author: Fareed Armaly
"On Musical Biographies: JAMC", review in: Spex, 02/90, 64.
Author: Fareed Armaly

(re)Orient, Brochure, Author / Designer: Fareed Armaly
R.O.O.M. Editor / Design Concept / Publisher / Author: Fareed Armaly

"Displaced Passage", Fareed Armaly artist pages in: International Landscape
Exhibition catalog, Galerie Dürr, Munich, D

Terminal Zone, Editor / Author / Design Concept / Publisher

Bibliography (selected) E=english translation

G.Czöppan, "Wechselkurse - Fareed Armaly bei Buck & Nagel",
Münchner Stadtzeitung, no.11, 1988
Bartomeau-Mari, AVUI, 05.07.88
Justin Hoffman, "Terminal Zone", Wolkenkratzer, 1988, 85
( Interview on Terminal Zone / Exhibition), tele5 TV, Munich
R.Fellner, "International Landscape", Artefactum, May, 1989, 48
C.Blase, "International Landscape", Artis no.3, 36-39
T.Kepler, "Bilder vom Orient", die tageszeitung, Oct.19, 15
Oliver Zahm, "Fareed Armaly; (re) Orient, Galerie Lorenz", Flash Art, Dezember 1989
Hana Jaber, "The Orient sees itself through a vision that is closer", Al-Hayat, 1989

H.Draxler, "Perspectivismus", Noema, Feb.
O.Zahm, "(re)Orient", Flash Art, no.150
Nicolas Bourriaud, "un art de réalisateurs", art press 147, May 1990
Luk Lambrecht, "Orphée 1990", Knack, 7.07.90, 18
H.Jaber, "(re)Orient", Alhayat, Aug. 30, 12 (culture section)
Eric Troncy, "Fareed Armaly, Maison de la Culture", Artscribe, Nov.-Dec. 1990
Christoph Blase, "Orphée 1990", Kunst Bulletin, nr.9, 33

Helmut Draxler, "Fareed Armaly; Maison de la Culture", Artforum, January 1991, 138
E.Fiedler, "Verständnis für Verbindung aus Avantgarde und Wirtschaftlichkeit", NZ, 5.08
Excerpt: S.Germer, "Im Sichtfeld des Feindes", Texte zur Kunst, nr.3 Sommer

Christoph Blase, "Zwischen weißen Vögeln", Frankfurter Allgemeine Zeitung,
nr. 54, 4.03.92, 36
Frederik Leen, "The Critique of the System of Sign-Exchange Rates. The Aesthetic Production of Fareed Armaly", Forum International nr.12, Maerz 1992, 62-69
Christoph Blase,"Vom Betrachter zum Benutzer:Fareed Armaly", Kunst-Bulletin,
nr.11, Juli/August 1992, 14-19
Helmut Draxler, "Fareed Armaly, The Nature and Method of Cultural Production",
Flash Art, 1992
Olivier Zahm, "Fareed Armaly; Galerie Christian Nagel", Artforum, September 1992

Koen van Synghel, "Fareed Armaly, Palais voor schone kunsten"
De Kunstberg , BRTN radio, 23.08.93
COPYSHOP, Kunstpraxis und politische Öffentlichkeit, ein Sampler von BüroBert, "CONTACT - Korrespondenz/Gespräch mit BüroBert", Oct. 1993
B.Quick, "Fareed Armaly", frieze, Nov-Dec, 58
Sabine Vogel, "Korridor der Stimmen", Artis, Nov. 16-20
Luk Lambrecht, "BREA-KD-OWN", Blocnotes, n.4, Automne, 84

Frank Perrin, "New Deals - Contexts and Decodings", Flash Art, 1994
"Fareed Armaly", in Peter Weibel (Hg.), Kontext Kunst, Köln, Dumont Verlag,1994
Sabine Vogel, "BREA-KD-OWN", Artforum, May 1994
Olivier Zahm, ... Art Press, no. 187

Juergen Hohmeyer, "Aufatmen beim Verhoer", DER SPIEGEL nr.3, 1995, 152
Oliver Zahm, "The Present Everyday", ACME no.2 1995, 117-119
Sarah McFadden, "Report from Cologne", Art in America,Vol. 83, no. 2, 02.1995

EExcerpt: Tom Holert, "Mit dem Ruecken zur Wand [...]", Texte zur Kunst, 1995
ESabine B. Vogel, "Cross-Over. Ein Interview mit Fareed Armaly", Artis, 1995, 50-55

Christoph Blase, "Wehe, wenn die Werke nicht mehr senden", Frankfurter Allgemeine Zeitung, 24.01.1995, S.27

Juergen Hohmeyer, "Verliere dich", DER SPIEGEL nr.21, 1996, 244-246

C. Blase, "Der Synthesizer gewinnt immer", Frankfurter Allgemeine Zeitung, 31.10.97

EBirgit Sonna, "Im Spiegelkabinett der Geschichte", Sueddeutsche Zeitung, 14.11.97

Excerpt: H. Saxenhuber, "Relatives Scheitern?" Ein Gespräch mit dem
französischen Kurator Yves Aupetitalot (...), springer Band III, heft 3/97, 24-25

E Wolf Jahn, "Bridge/The Map Is Not the Territory."

- modern sculpture, Arbeitsgemeinschaft Fleetinsel, Hamburg, Germany, Artforum International Magazine, Dec. 1997
Ute Meta Bauer / Fareed Armaly, "Information, Education, Entertainment, ? Section, Nowhere, Louisiana Museum", in Curating - The Contemporary Art Museum and Beyond,
Art and Design,.82-85,1997
Ute Meta Bauer / Fareed Armaly, "Information, Education, Entertainment, ? Sektion der Ausstellung, Nowhere, Louisiana Museum of Modern Art", Jahrbuch, Institut für Moderne Kunst Nürnberg, 34-49,1997

EA. Loges, S. Harms, "Keine Nostalgia!", Hamburger Rundschau, nr. 31, 30.07.98

Simone Schmelzle, "Zwischen Wegen gehen", Stuttgarter Zeitung nr 251, 30.10.98
Katrin Wittneven, "Wechselkurse", neue bildende kunst, 4/98, pg.5

Josephine Pryde, "Grenzmarken", Texte Zur Kunst, 1999, 197-201
Holger Liebs, "From/To", Frieze, 1999
...."Palestinian's dreams in Rotterdam", Al-Hayat, April 1999
Brian Holmes, "Steine im Garten der Aesthetik. Ueber Fareed Armaly's Austellung 'From/To'", springerin, Band V Heft 2/99
Brian Holmes, "De l'interaction en art contemporain", Parachute, 1999

ERenate Puvogel, "Fareed Armaly, 'From/To'", Kunstforum,1999 402-403
EKatja Blomberg, "Wege auf einem Kieselstein", Frankfurter Allgemeine Zeitung,

9.03.1999, nr 57, 54
SWR-TV Culture Journal, [on haus.0 program] 6 min broadcast, 1999.

Anja Dorn,"haus.0[..]", Metropolis, Feb.

N. and G. Urbonas, "A Chat conversation with Fareed Armaly..", in Transaction, 2001
Wendelien van Oldenborgh, "Letter from Stuttgart, A Conversation with Fareed Armaly",
NICC journal, Spring 2001
Eileen Sommerman,"Three Dimensions", Canadian Arts, 2001

EHelmut Draxler, "Der allegorische Impuls des Kuratierens", springerin Fall 2001
EGabrielle Hoffman, "In der Schusslinie", die tageszeitung, 04.12.01

Lionel Bovier, "Interview with Fareed Armaly", Jack Goldstein, Magasin, 2002

EFareed Armaly, "Interview with Rashid Masharawi", springerin, Summer 2002

"From/To", Documenta11_Platform5: Exhibition Catalogue, Cantz 2002

EThomas Wulffen, "From/To", Documenta Issue, Kunstforum, Summer 2002

"Arab Artists Find .." Daily Star, Beirut
"Geschichte/Geschichten III: Fareed Armaly und Rashid Masharawi: From/To - Von/Bis -
Von hier nach da" hr-online, 04.07.02
Susanne Kaufmann, [on Künstlerhaus Stuttgart / Documenta11 project ] SWR-TV,
Culture Journal, June 2002

EPeter Weibel, from "Mein Documenta Favorit.." series, Stuttgarter Zeitung, 28.08.02
EIsabelle Graw, "Das Diagramm", Frankfurter Rundschau, 07.08. 02

Dietrich Heißenbüttel, "Netzwerke in Ziegelmauern", Stuttgarter Zeitung, 15.11.02

EDietrich Heißenbüttel, "Netzwerke der Erkenntnis", die tageszeitung, 3.12.02

Brian Holmes, "Interaction in Contemporary Art", in:
Hieroglyphs of the Future, Arkzin Communications 2002-3
Tom Holert, "Blood of the Poets - the tribal '80s" Artforum, v.41, no 7, 04.03

Virginijus Kincinaitis,"Klasika" LNRT RADIO, Interview / Discussion
Fareed Armaly, Nomeda and Gediminas Urbonas, 16.04.04
Dan R. Goddard, "Exhibit explores split between U.S., France",
San Antonio Express-News, 08.08.2004
Herbert Grabes, "Neue Radikalität in der frühen Postmoderne" (p.88) in Einführung in die Literatur und Kunst der Moderne und Postmoderne: die Ästhetik des Fremden, Tübingen, Francke 2004

Amin Farzanefar, Interview: "Wann wurde ich ein deutscher Künstler"? , in:
Qantara.de, published 01.11.2005

EDietrich Heißenbüttel, "Bruchstücke, neu zusammengefügt -

Eine Genfer Ausstellung zur Archäologie des Gazastreifens"

Neue Züricher Zeitung, 03.07.2007
Kaelen Wilson-Goldie, "Obsidian chunks, a vitrious mass, a broken sundial and
an object lesson", The Daily Star, Beirut, 01.08.2007

EDietrich Heißenbüttel, "Wo die Karawanenrouten enden -

Eine Ausstellung in Genf präsentiert erstmals den archäologischen Reichtum des Gazastreifens - Ausgrabungen zur nationalen Identität"
Stuttgarter Zeitung, 24.08.2007
Silvia Naef, "meeting point ", Canvas Magazine, UAE, November / December 2007

E Georg Schöllhammer, "Die Position von gestern in Frage stellen, Georg Schöllhammer

im Gespräch mit dem Kunsthistoriker und -kritiker Helmut Draxler", springerin, Spring 2008 (external link: english / german)
André Rottmann, "Reflexive Systems of Reference / Approximations to 'referentialism' in contemporary art", Texte Zur Kunst, 2008, issue 71
Kate Green, "International Artist-in-Residence, New Works: 04.2 - Fareed Armaly",
2004 Artpace Residencies and Exhibitions, 2008, Matthew Drutt, general editor, Artpace San Antonio, TX, USA
Van Niekerk, Leone Anette, Chapter 4: Curating Globality / Producing Locality of 'Documenta 11 as examplar for transcultural curating : a critical analysis',
Doctoral Thesis, University of Pretoria, S.Africa

Helmut Draxler, "Das Eigentum an den Eigenschaften", pp 34-37, in Sammlung Kienzle Texte/Werke, Kienzle Art Foundation 2009

Silvia Marimon, "L'altre cinema - Ni propaganda ni herois", Time Out Barcelona, on Program of MACBA - Museum of Contemporary Art Barcelona Spain, February 2010
Tom Peeters, "Van rotzooi naar kunst ", De Tijd, 21.April, 2010, pg. 28 (pdf: flemish)
André Rottmann, "Reflexive Systems of Reference / Approximations to 'referentialism' in contemporary art", Rehabilitation, MER. Paper Kunsthallevzw., Gent, Belgium